A diminished seventh chord, also known as a full diminished seventh chord, is composed using a root/1st, minor 3rd, diminished 5th and diminished 7th (or R/1-♭3-♭5-7) intervals played simultaneously. Generally written as C⁰7, C⁰7 or Cmi6(♭5), it is good practice to simply use an uppercase C, a super scripted lowercase ⁰ and the number 7 to represent it in writing (ie: C⁰7).
A diminished seventh chord occurs naturally in a harmonized harmonic minor scale on the seventh scale degree, and although it does not occur naturally in a harmonized major scale, it does appear in a major scales parallel harmonic minor. The double flat () 7th is enharmonically equivalent to a major 6th and is one half-step/semi-tone lower than a minor 7th interval, hence the name diminished 7th.
The tonality of a diminished seventh chord is dissonant and distinctly unresolved, it "drives" towards root resolution as opposed to a major seventh chord which is stable and centered.
Diminished seventh chord profile
Intervals | root/1st, minor 3rd, diminished 5th, diminished 7th or R/1-♭3-♭5-![]() |
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Stability | Dissonant, unstable, unresolved |
Grouping class | Tetrad |
Common names (examples in C) | C⁰7, Cdim7, CDIM7, Cmi6(♭5) |
Chord shapes/voicings
Diminished seventh chord table
Chord name | Root | Minor third | Diminished fifth | Diminished seventh |
---|---|---|---|---|
C⁰7 | C | E♭ | G♭ | B![]() |
C♯⁰7 | C♯ | E | G | B♭ |
D♭⁰7 | D♭ | F♭ (E) | A![]() |
C![]() |
D⁰7 | D | F | A♭ | C♭ (B) |
D♯⁰7 | D♯ | F♯ | A | C |
E♭⁰7 | E♭ | G♭ | B![]() |
D![]() |
E⁰7 | E | G | B♭ | D♭ |
F⁰7 | F | A♭ | C♭ (B) | E![]() |
F♯⁰7 | F♯ | A | C | E♭ |
G♭⁰7 | G♭ | B![]() |
D![]() |
F![]() |
G⁰7 | G | B♭ | D♭ | F♭ (E) |
G♯⁰7 | G♯ | B | D | F |
A♭⁰7 | A♭ | C♭ (B) | E![]() |
G![]() |
A⁰7 | A | C | E♭ | G♭ |
A♯⁰7 | A♯ | C♯ | E | G |
B♭⁰7 | B♭ | D♭ | F♭ (E) | A![]() |
B⁰7 | B | D | F | A♭ |
Audio sample(s)
C Diminished seventh chord voicing #2 |
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